A Collection of Changes: Saba Taj

A Block Gallery Exhibition Featuring Works From the Municipal Art Collection

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Artwork Statement About the Artist

Artwork Statement

Artwork by Saba Taj

Liminal Being(s)
Saba Taj
Oil paint, glitter, appliques, gold leaf, spray paint on canvas

So often queer people of color, in particular the queer Muslims I paint, are defined by the oppressions we face, instead of the lush and liberatory liminal spaces we create and reside in. My work considers liminality as it is embodied through queerness and understood through intersectionality and the Islamic mystical concept of barzakh, described in the Qur’an as the place where the two seas (salt and freshwater) meet. Barzakh is the in-between, the space between binaries that is neither and it is both. 

In my mixed media paintings, my subjects are depicted in imaginings of barzakh; magical, abundant, and full of possibility. My process is an intimate one, and I am painting people who are part of my community and my chosen family. Each told me about their relationship to Islam, queerness, and pleasure, their personal mythologies helping to shape the environments I paint them in. I consider how I can both describe and conceal the subjects, to tell a kind of truth about them, but also protect them from the laceration of the gaze. I paint their faces in their entirety before swathing them with flat color. They look back at the viewer, emerging from and obscured within dreamscapes. Bodies and surroundings are decadent, cloaked with glitter, rhinestones, appliques, and beads, objects of our queer and diasporic heritages. My portraits are a witnessing of the in-between and those of us who reside there, exploring the verdant spaces beyond binaries.

About the Artist

Saba Taj is a visual artist based in Durham, North Carolina, whose work—inspired by Islamic stories, sci-fi, and revolution—explores representation, the gaze, queerness, and the body. Their work employs interdisciplinary practices including mixed-media drawing, painting and collage, sewing, and performance. Through these techniques, Saba seeks to celebrate subjects who are often characterized as monstrous, highlighting their hybridity and liminality as an embodied resistance to subjugation. Saba was the 2019–2020 Post-MFA Fellow for the Documentary Diversity Project at the Center for Documentary Studies, former executive director of The Carrack Modern Art, Southern Constellations Fellow at Elsewhere Museum, and featured speaker at TEDxDuke in 2017.

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Stacy Bloom Rexrode
Curator of Exhibitions and Collections, Raleigh Arts

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